A Hole in My Heart | Ett hål i mitt hjärta (2004) [18+]

A Hole in My Heart | Ett hål i mitt hjärta (2004) [18+]
Directed by Lukas Moodysson
MKV, AVC, 680x384, 948 kbps | AC3, 384 kbps, 6 Ch | 01:33:55 | 1 Gb
Country: Sweden, Denmark | Language: Swedish | Subtitles: English | Genre: Drama, Erotic

Lukas Moodysson wrote and directed this disturbing and controversial allegorical drama. Eric (Bjorn Almroth) is a teenager who lives in a shabby flat with his father, Rickard (Thorsten Flinck). Eric spends most of his time holed up in his room, blaring industrial music in order to drown out what's going on around him. Eric has just cause to be a bit disturbed by his surroundings -- Rickard is an amateur filmmaker specializing in extreme sex videos, and he's taken over the living room, where his emotionally disturbed friend Geko (Goran Marjanovic) and a blank young woman named Tess (Sanna Brading) are "starring" in his latest project. As shooting progresses over the course of several days, Rickard and his cast lose track of the outside world and become increasingly desensitized to their own decadence. As the sexual play becomes more and more extreme, edging into violence, Eric feels no choice but to intervene. Both celebrated and criticized for its unflinchingly explicit sexual content, Ett Hal I Mitt Hjarta (aka A Hole in My Heart) received its North American premier at the 2004 Toronto Film Festival. ~ Mark Deming, AMG

IMDb

This fourth feature from Swedish wunderkind Lukas Moodysson may seem to refute the humanism of his earlier work. But really, A Hole in My Heart celebrates the same values as Show Me Love, Together, and Lilya 4-Ever -- by depicting their dark flip side. Once again, circumstance forces strangers to forge an unlikely family unit. Once again, a forlorn adolescent sees through the injustices of the adult world. And once again, young people yearn to overcome the emotional gulf that separates them. Yet this time around, Moodysson's characters fail to connect in any meaningful way, yielding nothing but anarchy and infantile wallowing. To portray this failure, the filmmaker employs an arsenal of distancing effects. From its low-fi, handheld camerawork and glitchy, white-noise soundtrack to the grotesque atrocities in which its characters indulge, the film almost dares viewers to keep watching. The semi-explicit sex is willfully non-erotic. The cutaway shots of vaginal surgery and copulating dolls provide constant disorientation. The threat of violence lends a dull tension to even the most deliberately banal dialogue. Pretentious? Yes, but also effective. It's hard to imagine anyone loving a film so defiantly ugly, but it's not hard to imagine avant-garde cineasts admiring it. ~ by Brian J. Dillard

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